Hamonshū, Wave forms
1903
Hamonshū – un guide japonais des formes de vagues du début 20ème siècle – Dessein de dessin

Aage Rasmussen, travel poster for danish state railroad, 1937.
Aage Rasmussen Danish state railroad 1937

Daniel Buren, Guggenheim Museum.
Photo-souvenir: Around the corner, 2005
Guggenheim museum Daniel Buren 2005

Bullfighting Scene (The torero is raised), Pablo Picasso
Medium: oil,canvas
https://www.wikiart.org/en/pablo-picasso/bullfighting-scene-the-torero-is-raised-1955
Bullfighting Scene (The torero is raised), Pablo Picasso

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“Circles in a Circle,” 1923, by Vasily Kandinsky
“Circles in a Circle,” 1923, by Vasily Kandinsky
Photo manipulation before Photoshop
Montage photo
Working on a presentation about Alberto Breccia for this event at Penn Book Center tomorrow.
Unlike most comics artists—and most artists in any medium—who settle on astyle early in their career and spend the rest of their lives in refinementor repetition, Breccia never stood still. Working in color, which he began to do extensively in the late seventies, Breccia shifted from realism toward a more stylized, expressionist approach to both figuration and setting. The approach is sometimes almost cubist, constructing spaces and figures out of irregularly shaped facets and blobs, defined by a painterly, colored line.
(from Comics: a Global History, 1968 to the Present)
From top: Mort Cinder (1962; scanned from original art – not by me!), El Eternauta 1969 (1969) Informe Sobre Ciegos (1991), Monsieur Valdemar (1992), William Wllson (1979)
Alberto Breccia